







If you're curious how I shot these, I put clear plexiglass over a white foamcore board that sat on top of my coffee table. I had a single large softbox lighting the scene and more foamcore on both sides to reflect more light to fill in some shadows. This setup makes the lighting very, very soft and keeps the reflections manageable to where there aren't even any blown out highlights--even on the extremely shiny metal surface.


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